Everything in art depends on execution: the story of a louse can be as beautiful as the story of Alexander. You must write according to your feelings, be sure those feelings are true, and let everything else go hang. When a line is good it ceases to belong to any school. A line of prose must be as immutable as a line of poetry.
I believe the first draft of a book - even a long one - should take no more than three months…Any longer and - for me, at least - the story begins to take on an odd foreign feel, like a dispatch from the Romanian Department of Public Affairs, or something broadcast on high-band shortwave duiring a period of severe sunspot activity.
If you are a real writer, then just surrender to the writer's life, all of it, even the bad stuff. When you do that, the beauty appears: the peace, the meaning, the joy, the fulfillment, the sense that you are doing what you were born to do and what could be better, in the end, than that?
When one does something, one must do it wholly and well. Those bastard existences where you sell suet all day and write poetry at night are made for mediocre minds – like those horses that are equally good for saddle and carriage, the worst kind, that can neither jump a ditch nor pull a plow.