I wrote this book for the ghosts, who, because they're outside of time, are the only ones with time. After the last rereading (just now), I realize that time isn't the only thing that matters, time isn't the only source of terror. Pleasure can be terrifying too, and so can courage.
You have to listen to women. You should never ignore a woman's fears.
For her, reading was directly linked to pleasure, not to knowledge or enigmas or constructions or verbal labyrinths…
It was the tyrannical, slightly stupid thing you say after you've made love.
We're artists too, but we do a good job hiding it, don't we?
The pain, or the memory of pain, that here was literally sucked away by something nameless until only a void was left. The knowledge that this question was possible: pain that turns finally into emptiness. The knowledge that the same equation applied to everything, more or less.
I decided to tell the truth even if it meant being pointed at.
You can woo a girl with a poem, but you can't hold onto her with a poem. Not even with a poetry movement.
A person could be immensely happy reading only him or the writers he loved. But that would be too easy.