BiographyType: Writer Born: 27 August 1959 Died: Jeanette Winterson is an award-winning English writer, who became famous with her first book, "Oranges Are Not the Only Fruit", a semi-autobiographical novel about a sensitive teenage girl rebelling against conventional values. Some of her other novels have explored gender polarities and sexual identity. Winterson is also a broadcaster and a professor of creative writing. |
You said, 'I love you.' Why is it that the most unoriginal thing we can say to one another is still the thing we long to hear? 'I love you' is always a quotation. You did not say it first and neither did I, yet when you say it and when I say it we speak like savages who have found three words and worship them.
In that house, you will find my heart. You must break in, Henri, and get it back for me.'
Was she mad? We had been talking figuratively. Her heart was in her body like mine. I tried to explain this to her, but she took my hand and put it against her chest.
Feel for yourself.
Hopeless heart that thrives on paradox; that longs for the beloved and is secretly relieved when the beloved is not there.
I knew it like destiny, and at the same time, I knew it as choice.
Language always betrays us, tells the truth when we want to lie, and dissolves into formlessness when we would most like to be precise.
Many waters cannot quench love, neither can floods drown it. What then kills love? Only this: Neglect.
Sometimes I think of you and I feel giddy. Memory makes me lightheaded, drunk on champagne. All the things we did. And if anyone has said this was the price I would have agreed to pay it. That surprises me; that with the hurt and the mess comes a shift of recognition. It was worth it. Love is worth it.
Our own front door can be a wonderful thing, or a sight we dread; rarely is it only a door.
He: What’s the matter with you?
Me: Nothing.
Nothing was slowly clotting my arteries. Nothing slowly numbing my soul. Caught by nothing, saying nothing, nothingness becomes me. When I am nothing they will say surprised in the way that they are forever surprised, "but there was nothing the matter with her.
There is a certain seductiveness about dead things. You can ill treat, alter and recolour what's dead. It won’t complain.
[Fiction and poetry] are medicines, they're doses, and they heal the rupture that reality makes on the imagination.